Okay Ron, the simple way to explain all this is that you're looking at a 3-step workflow:
STEP 1: Shooting video
STEP 2: Editing video
STEP 3: Delivering video
In my opinion, what you want to do is purchase equipment that all works well together (more difficult than you'd think), provides all the options you need (often hard to do in the consumer realm) and maximizes the quality necessary for your final delivery (but doesn't go beyond your needs and price range)...and the best way to figure out what meets those criteria is to work BACKWARDS from STEP 3.
Since your son is going to be using his Mac, I would *highly* recommend you purchase the software package called
iLife '08 if he doesn't already have it (all Macs nowadays come with it built-in). The software only costs $79 and it comes with several programs, two of which are going to be critical to you: iMovie and iDVD.
iMovie lets you:
- import HD or SD video footage from your camera
- quickly and easily edit your footage
- add photos, music, voiceover, transitions
- upload your finished, edited footage directly to YouTube
- export your finished, edited footage to iDVD
Then iDVD lets you:
- use themes to quickly build stunning DVD menus
- automatically build photo slideshows
- encode everything to the industry-standard DVD format
- includes option to use "pro-quality" DVD encoding
Essentially, by using a Mac and iLife, you can make "STEP 2" and "STEP 3" of your workflow a breeze. Oh and if he has an older version of iLife, I'd recommend you plunk down the $79 to get the new '08 version because the new iMovie is radically easier to use and includes the YouTube support you want.
Now that you know what software you're going to be using, now you need to choose a camera that will work well with it. You've got a lot of format options to choose from (including DV, HDV, AVCHD, MPEG2, MiniDVD, HDD, SD card, etc) but to be perfectly honest, your BEST, CHEAPEST, and MOST COMPATIBLE format choice is going to be DV/HDV, which records on
MiniDV tapes. Most other formats are either too buggy, too incompatible, require conversion, or are too expensive to really recommend at this time.
Now coming from the world of ProVideo, I can tell you that there are THREE telltale signs of "amateur" video:
#1 - shaky handheld footage
#2 - terrible audio quality
#3 - poor lighting
You solve amateur problem #1 buy shooting on a tripod or other stablization device (even just setting the camera on a table). Please note that the in-camera "image stablization" options are limited in their ability to minimize camera shake--so don't believe the marketing hype you read about that feature.
You solve amateur problem #2 by purchasing a camera with a built-in MIC input and then buying MICs appropriate for your intended use. This, by the way, is harder than you think; most consumer-level camcorders DO NOT have a Mic input!
You solve amateur problem #3 by shooting in natural light, or in a well-lit room, or by using (shocking) lights! There's a real art form to proper lighting, but if you just learn the very minimum basics of
3-point lighting by doing some research on the Internet, you'll be just fine.
One final thought: HD -vs- SD. You'd think that it only makes sense to buy an HD camera, and granted if you have the budget to do it then sure it DOES make sense because you're future-proofing your purchase....but for the time being, you honestly don't have any real NEED for an HD camera:
- YouTube is not HD; heck it's only half the resolution of SD
- DVD is not HD; it's only SD
- Unless you plan on making BluRay disc, you really can't deliver HD right now
Okay, *finally* some product recomendations! :rofl:
$79 - Apple iLife software (iMovie and iDVD)
$149 - Rode VideoMic (general-purpose microphone)
EDIT: IGNORE THIS ITEM, SEE BELOW $109 - Sony ECM-44BMP (clip-on mic if you're going to be talking on/off camera)
$69 - Velbon Videomate 607 Tripod (the cheapest tripod I'd actually use)
And finally, the camera! What you buy really comes down to if you want HD or not. If you just want DVD and YouTube quality video, an SD camera will be adequate. Fortunately, they're cheap. Unfortunately, the vast majority of them don't have a mic input! Thankfully, 2-of-the-3 available Canon MiniDV cameras actually DO have that input. I would highly recommend their midrange model:
$229 - Canon ZR-930 MiniDV camcorder
$11 - Smith-Victor TR-56 Camcorder Accessory Mounting Bracket
You'll need that bracket to side-mount the external mic on this camera since it doesn't have a hot shoe mount on top. It's ugly and unwieldily, but when it's all mounted on your tripod you won't care.
Now if for some reason you feel you just *gotta* have an HD camera now, even though you won't be delivering any HD content, then in my opinion there's only 1 HD camera on the market today that's under $1000 bucks that I'd recommend:
$795 - Canon VIXIA HV30 HDV Camcorder
I think that HV30 is the best bang-for-the-buck HD camera under $1000 available today. If I were personally buying a cheap camcorder, that's EXACTLY what I'd buy, no question about it. The only other camcorder I'd consider is lat year's nearly identical version of the HV30, the older HV20. You can find them on-sale now in the $600-ish range if you look around. That's what Eric just picked up the other day at Circuit City.
But truth be told, Ron, you'd probably find that the non-HD $229 Canon suits your needs very well. :eyebrow:
Okay, that's my 1000-words of advice! I'm spent! :rofl:
EDIT INFORMATION:
Ignore my recomendation for that lavalier mic; I actually use those myself and while they're fantastic, I forgot that they require a whole set of wireless audio equipment in the SONY UWP series that you won't have. Sure, I personally have all that stuff as part of my audio kit, but I didn't think about the fact that you won't. So to use that $109 mic you'd need a $450 wireless pair and a $180 Beachtek XLR convertor box (since consumer camcorders don't have XLR balanced audio inputs).
So forget about that mic and let me do a bit of additional research on a mic that would be appropriate for you to speak directly into while on-camera, or just off-camera.
:yes: