I ,,, don't get your point by bunching Japanese and Asian culture, Indonesian Indian Filipino tobacco are fully or subsidiary in cigars you smoke daily, and Indonesian cigars are rock hard popular in Europe and Asia. Still just a few known in the US or has faded out but they have a very long tradition with cigars almost equal to the length of Cuban history as a whole country .
Japan has the Kizami (thin sliced natural tobacco as if in Latakia tobacco from Syria)tobacco manufacturers for pipes still manufacturing and a single cigar brand manufactured in the whole history , but nothing else .
You dont get my bunching Japan with other Asian countries or you dont get me saying they have little to do with cigars?
Even with what you have typed, I still feel (Im my mind) that the Japanese culture has little to do with cigars.
While I agree that feudal Japan has nothing to do with cigars, and that Miyamoto Musashi and Tokugawa Ieyasu probably weren't big collectors of fine Havanas, there are tons of images and concepts being used in cigar marketing today that have nothing to do with cigars or cigar culture/history (which basically means Cuban, and then later, other Central and South American culture), aside from Japanese stuff. Frankly, I think that if any of them are justified in their use of these things, it is Room 101, given that Mr. Booth has been doing the Japanese thing since day one with his successful jewelery business that was booming long before he got into the premium cigar market. It was an established thing with his brand before it had anything to do with cigars.
Now, the day that I look down and my cigar band has a Native American Indian on it that looks like
THIS on it, I quit.